What’s the story behind your latest song/album?
Homeworks is our latest release after nearly 20 years together. We’ve put out several EPs but only a few full-length albums, and in a time when singles and videos dominate, we felt the urge to work on a proper 10-song record. It was important for us to present a body of work, a complete statement. We recorded, mixed, and produced everything ourselves in our home studio around Marseille/Le Rove. It wasn’t always easy, the result isn’t flawless—but it carries the handmade, honest touch that reflects who we are.
How has your creative process evolved over the years?
We don’t really compose during rehearsals anymore. Each of us works individually, recording ideas and demos at home. Then Dapé steps in and shapes those drafts, arranging and producing the tracks until they start to take form. Once that structure is there, we all listen, discuss, adjust — sometimes we deconstruct everything again. It’s a very collaborative but layered process. Over time we’ve learned to trust that method: to let ideas mature independently before bringing them together as a band.
Is there a specific moment in your career that felt like a turning point?
There were actually two. A positive one came with the release of our first album, right when the internet was really taking off. The record was very well received by both the audience and the press, and that feedback gave us the energy and confidence to move forward. It felt like the beginning of something solid. The negative turning point came a bit later, when Guy, our drummer at the time, developed a serious ear injury — hyperacusis — which forced us to stop for a while. It was a tough moment that broke our momentum, but also taught us patience and resilience. It reminded us that music is a long journey, not a race.
What’s one misconception people have about being a musician?
That it’s just fun and glamour. In reality, it’s a lot of work: late nights setting up amps, mixing demos, dealing with logistics, facing doubts. There are beautiful moments, but it isn’t always easy. We’re all over 45 now, with families and kids, so continuing with passion means finding the time to write, to rehearse, to keep that fire alive. What really helps is that we’re still making music among friends — that friendship keeps it meaningful and keeps us going.
Who or what has been inspiring your music lately?
We’ve always listened to a lot of music — both old and new. Our foundations go back to what we grew up with: bands like The Cure, Pearl Jam, Pixies, Nirvana, The Beatles, and also a lot of hip-hop from the ’80s and ’90s — Public Enemy, Beastie Boys, Army of the Pharaohs. At the same time, newer bands like Fontaines D.C. keep giving us ideas and energy. We’re constantly curious, always discovering new sounds. As for inspiration itself, it mostly comes from everyday life — the passing of time, human relationships, love stories. Those experiences shape our lyrics and the emotions behind the songs.
Can you share a memorable or unexpected moment from a live performance?
One that really stands out was our first Myspace show back in 2008 in Marseille. We had been selected, along with Kid Francescoli, to represent musicians from the South of France. At that time, Myspace was the main social network for music, and being chosen felt like a real recognition — almost like a small consecration for us. The energy, the people, the excitement of that night… it was a turning point that made us realize how far our music could travel beyond our circle of friends.
How do you handle creative blocks or self-doubt?
We take our time, and we let it happen naturally. Sometimes I won’t write anything for six months, and then five songs can come in just two days. As soon as we pick up a guitar, a riff or an idea can emerge. We sit in front of the blank Pro Tools screen and just let ourselves go. We do it out of passion, so there’s no pressure — it’s all about letting go.
If you could collaborate with any artist, living or dead, who would it be and why?
Probably our “heroes.” I imagine Dapé might say Robert Smith, and I would say Eddie Vedder. But we also really enjoy collaborating with our friends and fellow musicians, developing ideas together. For example, Seb from Soul Beach, or Toko Blaze, with whom Dapé often works, or even some tracks I’ve done with bands like Ending Satellites. We love the artists we meet on stage or online — those connections often lead to new creative paths and fresh inspiration.
What’s a piece of advice you wish you had received earlier in your career?
Don’t wait until everything is perfect to release something. Perfection often becomes a trap that stops you from sharing your work. It’s better to put something out, fragile and honest, than nothing at all. We learned that with Homeworks.
What’s next for you—any exciting projects or goals on the horizon?
We plan to play as much as possible. We’re starting around Marseille and the wider region, and we hope to get abroad too. We don’t have a major booking team, so we DIY it — but we love that. We’re also working on new demos, some more electronic textures, exploring different colours while keeping the organic heart of the band. Perhaps an EP of remixes. In a few years, we imagine still playing, creating and enjoying music with friends — maybe not always with the spotlight, but always with the same passion. Rock ’n’ roll never dies.
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