What’s the story behind your latest song/album?
My latest release, “Seasick,” came out on Earth Day—April 22, 2025. It began as a ghost story about a woman murdered by her lover, but it evolved into something bigger: the ocean’s voice, speaking to humanity about the damage we’ve done. I wrote it on the ukulele, which I kept for its oceanic vibe. The track also features autoharp, washboard and thimble percussion, real whale sounds—including echolocation—and a musical saw that wails like a siren. I wanted to create an eerie, immersive underwater soundscape.
How has your creative process evolved over the years?
At first, I was frustrated by what I didn’t know musically. But performing over the years has taught me so much—it’s been hands-on training. I’ve grown as a musician, and I think my work now has more emotional and musical depth.
Is there a specific moment in your career that felt like a turning point?
In 2022, Blackfoot Daisy played the Chomp N Stomp bluegrass festival in Atlanta. We closed with a cover of “White Rabbit” by Jefferson Airplane. After our set, people kept coming up to high-five me. Later, I found emails from folks who’d seen the show, telling me how much they loved that song. I don’t know if it was a turning point, but it really stuck with me.
What’s one misconception people have about being a musician?
People don’t realize how physically demanding it is. You’re hauling gear in and out, setting up, playing long gigs, and then tearing it all down again. It takes a surprising amount of physical strength.
Who or what has been inspiring your music lately?
Politics, honestly. I hate so much about the era we’re living through—but the anger and frustration do drive me to write.
Can you share a memorable or unexpected moment from a live performance?
Before Chomp N Stomp, the very first time I performed “White Rabbit,” I forgot the words near the end and improvised with, “This is why we don’t do drugs.” The crowd gave me a standing ovation.
How do you handle creative blocks or self-doubt?
I try to just keep working through it, even when it’s tough. I recently came out of a phase where I felt like quitting entirely. But persistence usually wins.
If you could collaborate with any artist, living or dead, who would it be and why?
I’d love to work with Prince—but honestly, I’m not sure I’d be good enough. I also would’ve loved to collaborate with Peter Steele from Type O Negative. Both had such unique approaches to songwriting. I’d love to understand how they created songs like “Kiss” and “Anesthesia.”
What’s a piece of advice you wish you had received earlier in your career?
If your goal is to be a star, don’t become a musician. But if you love music and want to connect with like-minded people, then absolutely go for it.
What’s next for you—any exciting projects or goals on the horizon?
Blackfoot Daisy is keeping busy—we gig almost every weekend. Outside of my day job and live shows, I’m focused on recording. My long-term goal is to build a library of songs that can be licensed for TV and film.