What’s the story behind your latest song/album?
Love and Emotion is a collection of songs inspired by real-life experiences, brought to life through a wide range of instruments and electronic music styles. Each track reflects a unique journey, blending emotion, creativity, and sound into a diverse musical experience. To complement the music, selected songs are accompanied by visual stories on YouTube, adding another dimension to the album’s themes and emotions. We hope these visuals deepen your connection with the music and enhance your listening experience. As our first album created together as a couple, Love and Emotion holds a special place in our hearts. We collaborated with guitarist , Tino Delgado in tracks 6,7,8.

How has your creative process evolved over the years?
I started writing songs at an early age of 8 when I made my move from Spain to London, I had guitar lessons age 13 at school and when I was 15 I started busking on the London Eye and around Southbank, I met a lot of musicians whom inspired me so I wrote my first songs Hypnotized and many more, my sound was more rock alternative, pop, but I have an eclectic taste so I am always exploring new music and currently into the electronic genre as this album shows using synthesisers and keyboards. I don’t want my music to sound the same, you have to evolve as an artist and not be afraid to express yourself. My songs are based on true events about my life.

Is there a specific moment in your career that felt like a turning point?
When I moved for love to Lanzarote 8 years ago I left the busy city of London after 20 years and I lived in the small village of Guatiza. The songs I wrote while I was here were about the people I met and my personal experience. The turning point was after playing with many people here in different bands, I realised that there are a lot of artists who have bands with their own music so I also wanted a platform to showcase all my music so I presented myself as a solo act in the Teguise Music Showcase 2025. Thanks to that it led me to meet more creatives and that’s how collaborations started.

What’s one misconception people have about being a musician?
People immediately ask me If I perform regularly and when I say no, they are surprised. This is because they don’t understand that I would rather create my own music than do covers for entertainment. The reality is that the pay for artists is low or they don’t pay you at all. I have a small following of people and if I can reach more audiences it would be great. All I want to do is make new music all the time.

Who or what has been inspiring your music lately?
My husband whom I recorded and released this album with WLK, have a studio in our living room, studiosieben and we invite selected artists every month to jam and create new music. We have many instruments and he is a fan of synths, so the possibilities are endless.

Can you share a memorable or unexpected moment from a live performance?
When I was 15 I wrote a song for the memory of my grandfather, One Wish and performed it in the school concert, a mum from the audience came to me crying in tears and said she had felt my pain.

How do you handle creative blocks or self-doubt?
I try not to compare to what other people are doing, instead I support other creatives and online because all of us musicians are on the same boat, we just want people to listen to our art. It does feel like being a needle in a haystack sometimes , but at least I can now create my music the way I want it to sound and after many years now, it is my own personal accomplishment.

If you could collaborate with any artist, living or dead, who would it be and why?
Bob Dylan because he is the reason I started songwriting and being influenced by his music and poetry and the beginning of folk music . He takes me back to the start of my music journey. You either love him or hate him. The fact that he is still writing and performing at his age is a legend.

What’s a piece of advice you wish you had received earlier in your career?
I did receive advice from my art teacher Mick Gale, he told me to go for it and be brave and keep singing and playing everyday. He came up with my artist name Mandy Shadow because we both played The Shadows music in the art room with our guitars. He called me Hank. Thanks, Mr Gale for believing in me.

What’s next for you—any exciting projects or goals on the horizon?
I have a lot of new songs ready to record in our studio.I enjoy editing and filming videos and I will continue my music journey and expressing emotions as long as I’m living.

CONTACTS: Instagram

Machines Without Meaning

Manufracture Music’s “System Apathy” is the kind of industrial track that doesn’t simply create a dark atmosphere—it pulls you straight into one. Built around distorted electronic pulses, heavy mechanical rhythms and cold, cinematic textures, the track feels like the soundtrack to a civilization quietly coming undone. It is bleak, unsettling and strangely hypnotic.

Valerian Steel’s hardware-first approach gives the production a physical presence. The analog synthesizers and drum machines don’t sound polished into lifeless perfection; instead, their grit, tension and imperfections become part of the experience. Every pulse seems to carry a sense of machinery working overtime, even as the world around it begins to lose its purpose. That contrast gives the track plenty of character.

What makes “System Apathy” especially compelling is the thought behind its dystopian mood. This isn’t darkness for darkness’s sake. The song explores technological collapse, social indifference and the uncomfortable possibility of systems continuing to function even when the people inside them have stopped caring. It leaves a lingering feeling of unease without sacrificing its musical drive.

The concept becomes even more intriguing through the deliberate clash between analog hardware and AI-generated visuals. Rather than hiding that contradiction, Manufracture Music puts it at the centre of the artistic identity, raising questions about technology, authenticity and creativity.

Cold, forceful and wonderfully atmospheric, “System Apathy” proves that electronic music can make you move while simultaneously making you think. It is a compelling piece of dystopian industrial music with plenty to say beneath its mechanical surface.

A Beautiful Tension Between Fragility and Power

L0VE. makes a compelling first impression with “There Will Be Signs,” a debut single that captures the uneasy feeling of standing on the edge of change. Blending alternative rock with post-rock influences, the track takes its time building an atmosphere, drawing listeners into an emotional landscape where uncertainty and anticipation go hand in hand.

What makes this release especially engaging is the way its musical intensity grows alongside its emotional weight. The quieter opening creates a sense of intimacy, allowing vulnerability to take center stage before heavier guitars gradually enter the picture. As the arrangement expands, the music develops a powerful, almost overwhelming quality without losing the sensitivity that makes it so captivating. Rather than relying on volume alone, the song uses its shifts in energy to create a genuine emotional journey.

There is something deeply relatable about the mood at the heart of this track. Life often brings moments when we sense that something is about to change, even when we cannot explain what we feel. L0VE. translates that uncertainty into sound, balancing melancholy with a growing sense of possibility. The contrast between delicate passages and surging rock sections keeps the experience absorbing, giving the music room to breathe before pulling listeners back into its intensity.

For a debut, “There Will Be Signs” feels confident in its emotional direction. L0VE. shows a clear interest in atmosphere, dynamics, and honest expression, creating a sound that feels both vulnerable and expansive. This is a promising introduction from a band that understands how powerful music can be when it allows feelings to unfold naturally. It leaves a lasting impression and builds genuine curiosity about what L0VE. will explore next.

A Little Sunshine, A World of Wonder

Johnny Priest brings a refreshing burst of warmth with “Song for the Sun,” a thoughtful, uplifting track that celebrates life beyond everyday worries. Its central idea is beautifully grounding: the sun has watched countless generations come and go, reminding us that our troubles are only a small part of a much bigger picture. Rather than feeling overly philosophical, the song turns that perspective into an invitation to appreciate the good moments and find joy in sharing them with others.

The music has a lovely global flavour, with guitar rhythms inspired by Mexican huapango traditions giving the track a lively, sun-soaked character. The guitars bring movement and colour, creating a sound that feels organic, inviting, and full of life. Horn arrangements add another layer of richness, lending the composition a celebratory spirit without taking away from its reflective heart. The addition of Urdu percussion makes the musical blend even more intriguing, weaving different cultural influences into a cohesive, feel-good experience.

What makes this release especially appealing is its balance of optimism and thoughtfulness. Johnny Priest doesn’t simply celebrate sunshine as a symbol of happiness; the song also encourages a deeper appreciation of our shared place in the world. Its warm melodies and cross-cultural textures create a sense of togetherness that feels genuine rather than forced.

“Song for the Sun” is the kind of track that can brighten an ordinary day while gently shifting your perspective. With its vibrant instrumentation, worldly character, and generous spirit, Johnny Priest delivers a musical reminder to pause, connect, and celebrate the light we all share.